Thematic sections

4.2.2. The Gates of Candia

After the construction of the 16th c. enceinte, three main gates gave way to the countryside. They were barrel vaulted porticos situated in the neck of the bastions, below their lower terraces, in order to be protected by their powder guns. The inner (towards the city) gates of these porticos had the form of impressive Renaissance-style facades, decorated with emblems, coats of arms and architectural sculptures, while the outer (towards the moat) gates, were simplified arched openings into the inclined outer masonry.

The portico which helped the way to the eastern countryside was constructed in 1565 by the General Paolo Zorzi in the neck of the Vitturi Bastion and was dedicated to Saint George. It led from the level of the Square of Mars (actually Liberty Square), where a Renaissance-style facade was constructed, down to the level of the eastern moat. The facade towards the city was damaged by the earthquake of 1856 and it was finally demolished in 1917.

The portico which led to the southern countryside was opened in the neck of the Jesu Bastion, in the years of the Governor Zuanne Mocenigo (1587). The facade towards the city has an elaborated Renaissance style with a rich entablature. Over the outer (towards the moat) gate, there is a relief slab with the lion of St. Marc and coats of arms below a medallion with the gothic symbol of Jesus (JHS).

The portico of Pantocrator, which was built in the years of the Doge Pietro Loredan (1567-1570), according to the coat of arms of the outer gate, led to the Southwest. Its facade towards the city had a revetment with dressed limestone. The slabs with the relief lions and the medallions with the figure of the Pantocrator on both the inner and outer facades of the portico are intact, with the exception of a small part of the lion-slab on the inner facade.

Porticos were also opened in the coastal Bastions of Saint Andrew towards the west and Sabbionara towards the East. A third portico led to the golf of Dermatas. Of them only the portico of Sabbionara has survived intact. Inside the harbor there existed the Gate of the Mole and the Gate of the Arsenals. They are both demolished today.

The facade of the Jesu Gate

The most impressive facade was that of the gate of the Jesu Bastion, leading to the South. The main portico of the Gate is flanked by two subsidiary chambers, with lower quadrangular doors under relieving openings. The facade ends up in a rich entablature, decorated with a frieze of triglyphs and relief metopes, depicting lions, rosaces, heads of oxen and trophies. The authentic metopes and other relief parts were replaced with accurate copies in 2013; the prototypes, corroded by the urban pollutants, are exhibited here. A gold-plated inscription of the general Zuanne Mocenigo (1587) is still in its original place in the middle of the frieze.

The facade of the gate of St. George

Of the portico of St. George, which was constructed in 1565 in the neck of the Vitturi Bastion leading to the eastern moat, only a part, including the external (towards the moat) arched gate has survived. The facade towards the city’s interior, built in the Renaissance style, was demolished in 1917, being already ruined by the earthquake of 1856. Of its sculptural decoration have survived a medallion depicting St. George on a horseback and another bearing coats of arms, exhibited today in the Historical Museum of Crete. Two partly preserved medallions, which are exhibited here, could be attributed to the inner facade. One of them depicts a lion holding an open gospel, as did the medallion on the right side of the facade. The other is probably part of the second medallion bearing coats of arms.

Same thematic section texts (6)

Characteristic Icon
4. The fortifications of Candia
Characteristic Icon
4.1 The older enceinte of Candia
Characteristic Icon
4.2 The fortifications of the 16th c.
Characteristic Icon
4.2.1 The Bastions
Characteristic Icon
4.2.2. The Gates of Candia
Characteristic Icon
4.2.3 The coats of arms and the emblems
Characteristic Icon
4.3 The fortification walls through the centuries